Barry Unsworth returns to the terrain of his Booker Prize-winning novel Sacred Hunger, this time following Sullivan, the Irish fiddler, and Erasmus Kemp, son of a Liverpool slave ship owner who hanged himself. It is the spring of 1767, and to avenge his father's death, Erasmus Kemp has had the rebellious sailors of his father's ship, including Sullivan, brought back to London to stand trial on charges of mutiny and piracy. But as the novel opens, a blithe Sullivan has escaped and is making his way on foot to the north of England, stealing as he goes and sleeping where he can.
His destination is Thorpe in the East Durham coalfields, where his dead shipmate, Billy Blair, lived: he has pledged to tell the family how Billy met his end.
In this village, Billy's sister, Nan, and her miner husband, James Bordon, live with their three sons, all destined to follow their father down the pit. The youngest, only seven, is enjoying his last summer aboveground.
Meanwhile, in London, a passionate anti-slavery campaigner, Frederick Ashton, gets involved in a second case relating to the lost ship. Erasmus Kemp wants compensation for the cargo of sick slaves who were thrown overboard to drown, and Ashton is representing the insurers who dispute his claim. Despite their polarized views on slavery, Ashton's beautiful sister, Jane, encounters Erasmus Kemp and finds herself powerfully attracted to him.
Lord Spenton, who owns coal mines in East-Durham, has extravagant habits and is pressed for money. When he applies to the Kemp merchant bank for a loan, Erasmus sees a business opportunity of the kind he has long been hoping for, a way of gaining entry into Britain's rapidly developing and highly profitable coal and steel industries.
Thus he too makes his way north, to the very same village that Sullivan is heading for . . .
With historical sweep and deep pathos, Unsworth explores the struggles of the powerless and the captive against the rich and the powerful, and what weight mercy may throw on the scales of justice.
About the Author
BARRY UNSWORTH, who won the Booker Prize for Sacred Hunger, was a Booker finalist for Pascali's Island and Morality Play and was long-listed for the Booker Prize for The Ruby in Her Navel. His other works include The Songs of the Kings, After Hannibal, Losing Nelson, and Land of Marvels.
Praise for The Quality of Mercy…
“Unsworth is one of the best historical novelists on either side of the Atlantic, and in both Sacred Hunger and The Quality of Mercy his vast knowledge of 18th-century social and material conditions creates a rich and strange rendering of daily life that’s utterly persuasive.”
—The New York Times Book Review
"Told with bite and freshness. Unsworth, one of the most ingenious and varied of today’s British writers, makes his scenes not just vivid but microscopically vivid - we see not only their visible life but the invisible life that pulsates beneath. But what may be more remarkable is the creative subversion he works in his characters. . . . Unsworth gives his figures glittering definition, and then leaves them open and undefined."
—Richard Eder, The Boston Globe
“Unsworth is one of the greatest living historical novelists, and this is what he does best: He entices us back into a past gloriously appointed with archival detail and moral complexity. . . . [The Quality of Mercy] is another engaging demonstration of the talent that’s made Unsworth one of the very few writers to appear on the Booker shortlist three times. His sentences recall the sharp detail, moral sensitivity and ready wit of Charles Dickens. But his sense of the lumbering, uneven gait of social progress is more sophisticated, more tempered, one might say, by history.”
—The Washington Post
"Deeply moving. . . . Unsworth brings his characters together with authority and grace. As with all of his historical novels, he conveys the sights, sounds and smells of life in another century without the slightest hint of pedantry."
—The Wall Street Journal
"Instantly compelling and impeccably written. . . . Line by line, Unsworth is a vigorous and precise writer."
—Los Angeles Times
"Reading Barry Unsworth, one immediately feel secure in the hands of an experienced pro, a master scribe who knows his way through a story like a seasoned navigator sailing treacherous but familiar seas. . . . [His] latest labor of love is full of gorgeous prose, wonderful dialogue in regional dialect, deeply etched characters, and historical settings both rural and urban one can smell and taste. . . . Endlessly enthralling."
—San Antonio Express-News
"Thought- provoking and resonant."
—The Denver Post
"Wryly, and with Austenesque delicacy, Unsworth presents the intricacies of love, competition, and other timeless human emotions, as well as 18th-century law. Having invented his own brand of historical fiction, characterized by research, imagination, and a literate narrator equally adept at penetrating a society’s values or an individual’s heart, Unsworth creates a novel that works both as period piece and indictment of industrial capitalism. . . . It succeeds in presenting a compelling picture of a transitional moment in English history, not to mention in the development of the English character."
"The Quality of Mercy is the work of one who is both artist and craftsman. There is not a page without interest, not a sentence that rings false. It is gripping and moving, a novel about justice which is worthy of that theme. In short, it is a tremendous achievement, as good as anything this great novelist has written."
"Unsworth’s is a vigorous, clear-eyed approach to history, electrified by his complete feel for the period, his neat bathetic wit and his natural gift for storytelling."
"Unsworth's writing is as rich and authoritative as ever, his eye for the period detail as judicious."
"Immediately involving and immensely readable."