***WINNER OF THE 1992 PULIZTER PRIZE***
Acclaimed as a quiet triumph and a brutally moving work of art, the first volume of Art Spiegelman's Mausintroduced readers to Vladek Spieglman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist trying to come to terms with his father, his father's terrifying story, and History itself. Its form, the cartoon (the Nazis are cats, the Jews mice), succeeds perfectly in shocking us out of any lingering sense of familiarity with the events described, approaching, as it does, the unspeakable through the diminutive.
This second volume, subtitled And Here My Troubles Began, moves us from the barracks of Auschwitz to the bungalows of the Catskills. Genuinely tragic and comic by turns, it attains a complexity of theme and a precision of thought new to comics and rare in any medium. Mausties together two powerful stories: Vladek's harrowing take of survival against all odds, delineating the paradox of family life in the death camps, and the author's account of his tortured relationship with his aging father. At every level this is the ultimate survivor's tale—and that too of the children who somehow survive even the survivors.
About the Author
ART SPIEGELMAN is co-founder/editor of Raw, the acclaimed magazine of avant-garde comics and graphics. His work has been published in The New York Times, Playboy, The Village Voice, and many other periodicals, and his drawings have been exhibited in museums and galleries here and abroad. Honors he has received for Maus include the 1992 Pulitzer Prize, a Guggenheim fellowship, and nomination for the National Book Critics Circle Award. Mr. Spiegelman lives in New York City with his wife, Francoise Mouly, and their children, Nadja and Dashiell.
Praise for Maus II: A Survivor's Tale: And Here My Troubles Began…
"The most affecting and successful narrative ever done about the Holocaust."
—The Wall Street Journal
"Maus is a book that cannot be put down, truly, even to sleep. When two of the mice speak of love, you are moved, when they suffer, you weep. Slowly through this little tale comprised of suffering, humor and life's daily trials, you are captivated by the language of an old Eastern European family, and drawn into the gentle and mesmerizing rhythm, and when you finish Maus, you are unhappy to have left that magical world."
"In part two of Maus, Art Spiegelman finishes his masterpiece . . . You can't help witnessing—even feeling—the act of private pain being transformed into lasting truth."
—The Boston Globe
"One of the most poweful and original memoirs to come along in recent years . . . An epic story told in tiny pictures."
—The New York Times